“Our goal was to make songs that are true to us, without hiding behind any kind of façade,” says Georgia Nott, who co-founded BROODS with her brother Caleb in 2013. “Instead of overthinking everything like, Is that too weird? or Does this make enough sense?, we made a point of just completely trusting in ourselves and trusting in each other.”
The follow-up to their sophomore album Conscious—a 2016 release featuring collaborations with Lorde and Tove Lo—Don’t Feed the Pop Monster brings a new and more kinetic vitality to BROODS’ beautifully nuanced synth-pop. In creating the album, the L.A.-based duo reunited with their longtime producer Joel Little (best known for his work on Lorde’s Pure Heroine) and also enlisted producers like Tommy English (BØRNS, K.Flay, Andrew McMahon in the Wilderness). At turns ethereal and frantic, moody and euphoric, the result is an album that’s elegantly sculpted yet defies all pop convention.
Born into an exceptionally musical family, Georgia and Caleb had their breakthrough as BROODS with the 2014 single “Bridges.” That track appeared on their Little-produced full-length debut Evergreen, an album that debuted at #1 on the New Zealand Albums Chart and #5 on the Australian Albums Chart. With Evergreen winning four prizes at the 2015 Vodafone New Zealand Music Awards (including Album of the Year), BROODS released Conscious in June 2016 and soon saw lead single “Free” hit the top #10 on Spotify’s US Viral Chart. In addition to supporting Sam Smith on a sold-out US tour, BROODS have also played leading festivals like Coachella, Lollapalooza and Outside Lands and shared stages with artists like Ellie Goulding, Haim, and CHVRCHES over the past few years.
Despite all those achievements, BROODS feel that they’re “only now just getting started,” according to Caleb. Having recently endured some major label shake-ups, the duo brought Don’t Feed the Pop Monster to life with very limited resources but ultimately created their most fully realized album to date. “We worked really hard and went through a thousand different emotions,” says Georgia. “For a moment, we thought everything was falling apart, and maybe we’d have to move back home and never make music again, but somehow we just kept going. The fact that we can feel that way and still make something that’s so true to us—to me that’s the most important part of this whole experience.” via: paradigmagency.com